By Marjorie Shelley
The Metropolitan Museum of artwork in ny homes one of many world's greatest and such a lot accomplished collections of antiquities and artworks. Their maintenance is a accountability that comprises all people who serves the Museum and who has entry to the gathering. This guide bargains a realistic advisor to the ways that various paintings gadgets will be dealt with and cared for, whether or not they are on exhibit, in transit, or in garage; and it additionally explains many of the basic ideas of conservation that underlie Museum perform.
The first a part of the publication units out instructions for facing the full spectrum of works within the Metropolitan Museum: work, drawings and prints, textiles, costumes, musical tools, and three-d items, no matter if enormous sculpture or filigree jewellery. within the moment half the emphasis is on issues and systems that impact the gathering typically, equivalent to weather controls, mild degrees, and images. incorporated on the finish are a particular word list of conservation phrases, a brief interpreting checklist, and house for the reader's personal notes.
Drawing at the expert event of curators and conservators from many alternative departments, The Care and dealing with of artwork items used to be prepare essentially if you happen to paintings within the Metropolitan Museum. What it has to claim, although, should be of serious curiosity to others: deepest creditors huge and small, museum viewers, and anxious contributors of the general public.
The valuable writer, Marjorie Shelley, Conservator of Prints and Drawings, has been on the Museum considering 1974. Her region of specialization contains all media on paper and similar fabrics, and he or she has lectured and written at the conservation, therapy, and research of artworks in her box. Ms Shelley holds an M.A. in paintings historical past and a degree in conservation from the Institute of good Arts, long island collage.
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Extra info for The Care and Handling of Art Objects: Practices in the Metropolitan Museum of Art
This chapter also discusses sample preparation procedures and provides a review of SAM and XPS applications in the cultural heritage domain. Chapter 7 looks at the relatively new technique of laser ablation inductively coupled plasma mass spectrometry (LA-ICP-MS). The chapter begins with a short background showing the major steps leading to the development of both lasers and ICP mass spectrometers. This is followed by a more detailed technical discussion of a “generic instrument,” dealing separately with the ICP-MS and the laser.
Sony makes use of such diodes for the built-in IR illumination source for the “night-shot” option in their digital still cameras and camcorders. Since the bandwidth is small, about 10 MHz, IR transmitting diodes can be used in imaging spectroscopy of small object areas as a cheap replacement of expensive narrow-band interference filters. 3 X-ray and gamma sources X-ray sources The mechanism of production of X-rays is well known, so it will be discussed only briefly: they are generated in a tube by accelerating electrons onto a target material (see Chapter 4 for more details).
Their spectral power distribution is shown in Fig. 2a. These “black light” tubes can be obtained in various lengths from 14 to 122 cm. They can be operated in standard fluorescent light fixtures with standard starter and choke. They are used to illuminate large areas with UV radiation. Their useful lifetime is over 2000 h. No eye protection is necessary. An example of this type is the Philips TL(D)/08 (40 W) “black light” fluorescent tube; it has a dark-coloured envelope which transmits the UV-A radiation and a small amount of visible light in the violet region.