Female Masochism in Film: Sexuality, Ethics and Aesthetics by Ruth McPhee

By Ruth McPhee

Theoretically and representationally, responses to heterosexual woman masochism have ranged from overlook in theories that attention predominantly or simply upon masochistic sexuality inside male matters, to condemnation from feminists who regard it as an inverted expression of patriarchal regulate instead of a valid kind of girl hope. It has as a rule been understood as a passive type of sexuality, therefore ignoring the possibility of task and employer that the masochistic place might contain, which underpins the the most important argument that woman masochism could be conceived as enquiring moral task. Taking as its topic the works of Jane Campion, Catherine Breillat, Michael Haneke and Lars von Trier in addition to the flicks Secretary (Steven Shainberg), Dans Ma Peau (Marina de Van), purple street (Andrea Arnold, 2006) Amer (Hélène Cattat and Bruno Forzani), and sound asleep attractiveness (Julia Leigh), lady Masochism in movie avoids those reductive and simplistic ways by means of concentrating on the ambivalences and intricacies of this kind of sexuality and subjectivity. utilizing the philosophical writings of Kristeva, Irigaray, Lacan, Scarry, and Bataille, McPhee argues that masochism can't and shouldn't be thought of other than its moral and intersubjective implications, and moreover, that the cultured traits rising throughout those movies - obscenity, extremity, disagreement and a transgressive, ambiguous kind of attractiveness - are strongly relating to those implications. finally, this complicated and novel paintings calls upon the spectator and the theorist to re-evaluate normative rules approximately wish, corporeality, delusion and affliction.

Show description

Read Online or Download Female Masochism in Film: Sexuality, Ethics and Aesthetics PDF

Similar film & television books

English Teaching and the Moving Image

Andrew Goodwyn's elementary method of instructing in regards to the relocating photo de-mystifies this subject and exhibits the way it should be simply included into lecture room perform. the 1st of its type, this booklet builds on academics' wisdom of training approximately advertisements, newspapers and visible diversifications of literary texts, and gives sensible suggestion and assistance on: * diversifications: not only the movie of the publication * educating movie * instructing tv * useful paintings * New applied sciences and the relocating viewers.

Ivan the Terrible: The Film Companion (KINOfile)

Eisenstein's final, unfinished masterpiece is an odd, complicated and haunting movie. Commissioned individually through Stalin in 1941, Ivan the negative put Eisenstein within the paradoxical state of affairs of getting to glorify Stalinist tyranny within the picture of Ivan with no sacrificing his personal inventive and political integrity--or his existence.

Contemporary American Independent Film: From the Margins to the Mainstream

From effortless Rider to The Blair Witch undertaking, this ebook is a accomplished exam of the self sustaining movie scene. Exploring the uneasy dating among self sustaining motion pictures and the most important studios, the participants hint the altering principles and definitions of self sufficient cinema, and the variety of autonomous movie practices.

Extra info for Female Masochism in Film: Sexuality, Ethics and Aesthetics

Example text

Hart argues that feminist critiques such as those of Linden and Kaplan are locked into an assumption based upon a visual economy in which because heterosexual female masochism looks like the oppressive model found throughout patriarchy, it must consequently be a direct replication of it (Hart 1998: 85). This visual economy ignores the elements of performance and drama that are often critical within a masochistic scenario and neglects to consider the actual physical sensations of pain and pleasure that the subject may experience.

Masochistic sexuality and the masochistic aesthetic that expresses it in formal terms demonstrates firstly, the restrictions upon thought imposed by existing theoretical paradigms, and secondly, the inadequacy of these paradigms for a truly ethical consideration of any subjectivities and intersubjectivities positioned as exterior to majoritarian norms. Consequently, one of the central argumentative strands needed for the catalysing of masochism’s potential as a disruptive and ethical modality is a rigorous deconstruction of the pervasive oppositional binaries that still dominate theory and cultural representation.

Unpleasure thus becomes a crucial component in the achievement of joy (Aaron 2007: 54–55). Although not a line of enquiry pursued by Freud, the fort/da game also demonstrates that the courting of unpleasure and pleasure, deferral and satisfaction, may be orchestrated by the subject themselves rather than something to which they are subjected from without. A crucial component of the enjoyment taken in this process is the combination of control over the object followed by a subsequent feeling of powerlessness once the object has been thrown away.

Download PDF sample

Rated 4.23 of 5 – based on 45 votes