By Anthea Taylor
In the 1st book-length research of superstar feminism, Anthea Taylor convincingly argues that the main obvious feminists within the mediasphere were authors of bestselling works of non-fiction: feminist ‘blockbusters’. Celebrity and The Feminist Blockbuster explores how the authors of those well known feminist books have formed the general public identification of recent feminism, sometimes over many a long time. keeping a contrast among girls who're well-known as a result of their feminism and people who later upload feminism to their ‘brand’, Taylor contends that Western superstar feminism, as a political mode of public subjectivity, can't in any uncomplicated approach be obvious as homologous with other kinds of stardom. relocating deftly from the Nineteen Sixties to the current, concentrating on how feminist authors have actively labored to fabricate their public personas, she demonstrates that the blockbuster is still the most important to feminist celebrification yet is now frequently augmented with electronic media. Advancing superstar stories by way of putting the determine of the feminist entrance and centre, superstar and the Feminist Blockbuster is crucial analyzing for all these drawn to gender, well known feminism, and the politics of renown.
Read Online or Download Celebrity and the Feminist Blockbuster PDF
Similar film & television books
Andrew Goodwyn's basic method of instructing concerning the relocating photograph de-mystifies this subject and exhibits the way it may be simply integrated into lecture room perform. the 1st of its sort, this e-book builds on academics' wisdom of training approximately advertisements, newspapers and visible diversifications of literary texts, and gives sensible suggestion and assistance on: * variations: not only the movie of the publication * educating movie * instructing tv * useful paintings * New applied sciences and the relocating viewers.
Eisenstein's final, unfinished masterpiece is a wierd, complicated and haunting movie. Commissioned for my part via Stalin in 1941, Ivan the bad put Eisenstein within the paradoxical scenario of getting to glorify Stalinist tyranny within the picture of Ivan with no sacrificing his personal creative and political integrity--or his lifestyles.
From effortless Rider to The Blair Witch venture, this e-book is a finished exam of the self sustaining movie scene. Exploring the uneasy courting among self sustaining movies and the key studios, the individuals hint the altering rules and definitions of autonomous cinema, and the variety of autonomous movie practices.
- Story and Discourse: Narrative Structure in Fiction and Film
- Screenplay Story Analysis
- French Cinema: A Student's Guide
- The Cinema of Basil Dearden and Michael Relph
- Mediations of Disruption in Post-Conflict Cinema
Additional resources for Celebrity and the Feminist Blockbuster
1: 79–96 Taylor, A. with Dever, M. & Adkins, L. B. (2010) Merchants of Culture: The Publishing Business in the Twenty First Century, London: Polity Tuchman, G. (1978) Making News: A Study of the Construction of Reality, New York: The Free Press Turner, G. D. & Bonner, F. (2000) Fame Games: The Production of Celebrity in Australia, Cambridge: Cambridge University Press Van Krieken, R. (2012) Celebrity Society, New York: Routledge Van Zoonen, L. 4: 453–476 Weber, B. (2012) Women and Literary Celebrity in the Nineteenth Century: The Translantic Production of Fame and Gender, Farnham: Ashgate Wernick, A.
Despite its longer history, the ‘celebritization of politics’ is a widely written about, and sometimes lamented, modern phenomenon; others have emphasized its potentialities, especially in terms of engaging audiences (Drake and Higgins 2006; Street 2012; Wheeler 2013). That politicians are now required to use the same tools of marketing and self-presentation, and models of fan interaction and intimacy traditionally associated with those in entertainment fields, is unquestionable. 98), the celebrity feminist is an explicitly political figure.
They have, therefore, been central in constructing, publicizing, and popularizing, © The Author(s) 2016 A. 1057/978-1-137-37334-2_2 25 26 A. TAYLOR feminism(s). Such women, those who have been called ‘feminism’s big girls’ (Henderson 2006), exemplify the specific intersection of feminism and celebrity that I label ‘blockbuster celebrity feminism’. In the case of Brown, Friedan, and Greer it is not just these women as celebrities but also their blockbusters that remain publicly visible and that continue to shape certain narratives about feminism and its history.